12/8/2023 0 Comments Yoko ono grapefruit poemInscribed on the front endpaper "To Paul, Love Yoko Ono." In just about Fine condition, with only the slightest bit of edgewear and some creasing near the front joint. The first Touchstone paperback edition of Yoko Ono's illustrated book, after the exceedingly rare 1964 first edition, of which only 500 copies were printed in Tokyo. Ono would enact many of the book's scenarios as performance pieces throughout her career, which formed the basis for her art exhibitions, including the highly publicized retrospective exhibition, This Is Not Here in 1971 at the Everson Museum in Syracuse, New York, that was nearly closed when it was besieged by excited Beatles fans, who broke several of the art pieces.Ĭondition: Near Fine. Her approach to art was only made acceptable when white men like Kosuth and Weiner came in and did virtually the same thing as Yoko, but made them respectable and collectible" (David Bourdon). has a lyrical, poetic dimension that sets her apart from the other conceptual artists. "Grapefruit is one of the monuments of conceptual art of the early 1960s. First published in 1964, Yoko Ono's Grapefruit reads as a set of instructions through which the work of art is completed-either literally or in the imagination of the viewer participant. Rare and highly sought-after signed by both Ono and Lennon. The uncommon Sphere edition of Ono's Grapefruit integrates the 'cheeky' subject matter of her 1966 short film Bottoms. Signed by John Lennon and Yoko Ono on the front free endpaper. Celant, Book As Artwork, page 61.įirst Sphere edition of Ono's seminal piece of conceptual art. Munroe and Hendricks, Yes Yoko Ono, pages 82-83, 313. In a lovely black cloth clamshell box with a leather spine label titled in gilt. Wrappers lightly soiled and foxed, with some of the usual production wrinkle at the spine. Very Good or better in original white perfect-bound wrappers. This is the only copy we have encountered with a contemporary inscription that can be pinpointed to a time and place-and most importantly, one of Ono's own installations. Destroy the originals.") While a handful of signed copies have have shown up in commerce in the last couple of decades, most have generic inscriptions referencing a season, e.g. Ono's first book, a groundbreaking conceptual piece made up of "event scores," series of actions, ideas, or instructions that take the place of physical works of art and can be performed by another individual (an example being the piece titled, "Painting to Exist Only When It's Copied or Photographed: Let people copy or photograph your paintings. For her part, Ono contributed "Eye Bags": black bags which participants crawled inside of and could see through, although they could not be seen within by spectators-in effect the inverse of a one-way mirror. Michael Mason supplied sound forms, Jon Hendricks supplied "air", and Jeff Perkins a film message. The inscription refers to opening night of "The Stone" on March 10th, 1966, a collaborative environment conducted by Ono's then-husband, Anthony Cox. INSCRIBED by Yoko Ono on the first blank: "To Helen, / 1966, opening / Judson Church Gallery / NYC, NY / Yoko Ono." The author, poet, and conceptual artist's first book. One of 500 copies printed, preceding the UK edition by four years.
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